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For the April/May 2009 issue of ISLANDS magazine, contributing editor Joe Yogerst tunes into the national spirit of Japan by finding intersections between the ancient and modern cultures. Here is how his story begins: |
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Can this get any stranger? I'm on one of the top floors of a high-rise in Tokyo, eating lunch in a "cosplay cafe," so called because both patrons and staff dress in costumes and play roles. My waitress, who doesn't look more than a couple months out of high school, is using a squeezy ketchup bottle to draw a blood-red heart on my omelet. That seems pretty freaky in and of itself. But she's also clad in a frilly maid's outfit, her jet- black hair tied with a pink bow, her feet squished into black pumps. Three other young women in similar outfits glide along the lunch counter and through the lounge area with its red-and-white shag-carpet seats, rendering their own condi- ment artwork, having photos snapped with adoring guests & occasionally bursting into song.
Welcome to another day in modern Japan, a nation where escapism reaches extremes and whose popular culture now has worldwide impact. In my day, it was British pop culture that had the greatest influence on American youth. But my own kids prefer sushi to fish and chips, watch anime rather than Beatles movies and snuggle up to Hello Kitty instead of Winnie the Pooh. And it's not just because we live on the West Coast and feel more affinity for the Pacific world. Just about anywhere you go these days, Japanese culture is cool. Tucked up into the northwest Pacific, the Japanese islands have a tradition of seclusion, and the islanders have always relished their unique- ness. One might expect that would diminish with modern air travel, television and the Internet. |
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But rather than becoming more like everyone else, the Japanese and their sprawling island home have become more distinct. (To read the full story, get the digital version of the April/May issue.)
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